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Helping the cause was 1967’s removal of the Hays Code in favor of the MPAA rating system.
While he ultimately agreed to stay, he showed up overweight without having read the film’s source novel, Joseph Conrad’s Heart of Darkness (1899).
Sparking the trend was “The Ballad of High Noon,” an Oscar-winning song written by Dimitri Tiomkin and Ned Washington and sung by Tex Ritter (father of John Ritter). / Look at that big hand move along / Nearin’ high noon.
Not only would it become a popular country music record, it also allowed the film to both introduce the stakes of its plot and reinforce the moral of its story: Do not forsake me O my darlin’ / On this our wedding day / Do not forsake me O my darlin’ / Wait, wait along. / If I’m a man I must be brave / And I must face that deadly killer / Or lie a coward, a craven coward / Or lie a coward in my grave. / He made a vow while in State’s Prison / Vow’d it would be my life or his and / I’m not afraid of death, but O, / What will I do if you leave me?
Like the Pacino-De Niro showdown in Heat (1995), the diner scene is an iconic duel between two of the era’s biggest stars.
But for a close relationship that can last us through all the years of our life, no doll can take the place of aces back to back.” This is the advice given by wiseguy Sky Masterson (Marlon Brando) to his crap-game colleague Nathan Detroit (Frank Sinatra) in an early restaurant scene from Guys and Dolls, a tale of crooks, cons and courtship, all emanating from the bustling streets of Times Square.
Meanwhile overseas, the French New Wave had shattered every convention known to man.